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Armen Zakharyan: «Reading Proust may be of no use at all. But it can be lifesaving»

Today marks the 155th anniversary of the birth of the great French writer Marcel Proust. On this day, literary scholar Armen Zakaryan (YouTube channel «Armen and Fyodor») is publishing, with the Parisian publishing house Éditions Tourgueneff, the book «Conversations About Marcel Proust’s Novel ‘In Search of Lost Time.’» The closest analogue to this work is Vladimir Nabokov’s «Lectures on Foreign Literature»: they are even more interesting to read than the books Nabokov was telling American students about. Zakharyan’s guide to the universe of Proust also grew out of a series of his video lectures. They were prepared for publication by producer Roma Liberov, for whom they served as «great consolation in those dark years into which, like cold murky water, we all stepped». We spoke with Armen Zakharyan about what Proustian prose can console us with today.

#ArmenZakharyan #VladimirNabokov #Dreyfusaffair #interview #bookclub #LeoTolstoy #literature #MarecoeProust #FirstWorldWar #Renaissance #MiddleAges #France #existentialcrisis #Emigration

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The incredible story of Artemisia Gentileschi. How a 17th-century Italian female painter took revenge on the men who insulted her

A retrospective of Artemisia Gentileschi at the Jacquemart-André Museum — the main Paris exhibition of the current season. The curators tried not to linger too much on the scandalous details of their heroine’s biography, which are now well known, but rather to take a closer look at her art. However, without the story of the rape of 17-year-old Gentileschi, it is hardly possible to penetrate her artistic world. The mission was made impossible by the artist herself: her art is the answer to her own biography. How else to explain the anger and rage that guided her brush, and the very choice of subjects in which the woman always dominates the man or avenges her sullied honor?‍

#ArtemisiaGentilesca #women #painting #historyofart #Italy #violence #Renaissance #feminism #essay

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